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A certifiable modern pop icon at barely 21, New Zealand’s Lorde has managed to turn personal, poetic, sad, and artsty indie pop into an arena-worthy musical sensation, boosted by last year’s masterpiece of a sophomore effort, Melodrama. It’s been four years since her last Nashville outing, but that finally changes April 15, when Lorde plays Bridgestone Area with beloved alt…
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When last we checked in with Nashville native and rising singer-songwriter Tanya Montana Coe, she had just released her excellent, deeply personal debut, Silver Bullet, in 2015, which fused her country and blues roots (notably, her father is acclaimed outlaw country singer David Allan Coe) with more expansive pop and r&b sensibilities. Since then, Tanya, a veteran…
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Michigan bred and Nashville based, singer-songwriter Nathan K plays the kind of earnest, melancholy, emo adjacent, folk-informed indie rock we can’t get enough of. Beloved throughout the blogosphere, especially within the punk world, Nathan’s been on our radar for a few years, particularly following 2014 full-length Methodist Girls, and it’s been exciting to see him popping up on an…
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When you hear “instrumental music” applied to contemporary bands, at least in the scene we frequent, it’s typically some sort of post-rock or droning metal or electronic outfit doing something cool, but wholly removed from the instrumental outfits of the past. Though unmistakably new, Khruangbin find their instrumental influences in musical traditions that span many decades,…
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Out in support of last year’s excellent fifth album Haiku from Zero, Australian indie dance rock pioneers Cut Copy are set to play their first proper Nashville show in four years tonight, April 2 at Exit/In. Fusing DJ and electronic roots with the disco, dance punk, and synth rock boom of the early ’00s, Cut Copy emerged more than a…
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Out in support of the tenth anniversary of their seminal and now classic third full-length, Asleep at Heaven’s Gate, Bay Area indie rockers Rogue Wave return to Nashville for the first time in a couple of years April 6 at Mercy Lounge to play the whole thing in full, along with openers Dear Boy. With a deluxe re-issue also in tow, which includes…
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Out in support of their brand new eight album I’ll Be Your Girl, a weird and bold and synth-soaked departure from their more typically folk-informed indie rock sound, Portland staples The Decemberists, are, like clockwork, set to return to Nashville for a spring outing (they’ve played here three of the last four Aprils), this time across…
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Out on the road in support of last year’s phenomenal third album Crack-Up, their first record in six years, newly reenergized indie folk act Fleet Foxes are set to return to Nashville May 21 and 22 for a pair of dates at The Ryman Auditorium, both with New York’s Amen Dunes, their first Nashville shows since 2011. While night one is nearly sold out, save…
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Few musical reinventions have been as stunning or as gratifyingly well-executed as Caroline Rose‘s turn from alt-Americana up and comer to full-fledged synth-punk-pop-feminist rock badass with her stellar new sophomore effort LONER. Quirky, darkly funny, self-assured, and unique, Caroline Rose has never seemed more in tune with her own artistic self-expression, and when she returns to…
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When Franklin’s Pilgrimage Music & Cultural Festival nabbed partner and producer Justin Timberlake to headline last year’s third annual event, by far the most high-profile of the local fest’s short run, we knew that the event’s newfound attention and significantly boosted attendance would set a future precedent, and have remained incredibly curious to see how they’d follow…